Stop blaming ugly buildings for the housing crisis
Voters' aesthetic objections to apartment buildings are about size, not beauty.
A transatlantic divide has opened up in the YIMBY movement, pitting American advocates against a mostly Anglo-Irish group centered on Works in Progress magazine and their patron Patrick Collison.1 The Americans are accustomed to dismissing aesthetic objections to new housing as pretextual, while their Old World interlocutors insist there is a profound connection between the anti-growth turn in the last quarter of the 20th century and popular distaste for modernist architecture.
This latter account — grounded in part in Tom Wolfe’s 1981 book From Bauhaus to Our House, which posits the existence of a kind of conspiracy by left-wing European emigre architects to foist weird-looking buildings on an unwilling American public — has some natural appeal to YIMBYs whose primary intellectual home is on the center-right. But the aesthetics theory of NIMBYism speaks more to European, not American, issues.
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